Deepest thanks to Guy Brett, Pol Bury, Liliane Lijn, David Medalla, and Carolee Schneemann. I am grateful to the artists and critics who contributed their time, insights, and observations to my research, as well as those institutions whose archives and holdings are central to what follows. N72.T4L43 2004 700'.9'046-dc22 2003061092 10 9 8 7 6 5 4 3 2 1 FOR GEOFF CONTENTS Acknowledgments Preface ix xi PART I: PRESENTNESS IS GRACE Introduction: Eros and Technics and Civilization 4 Chapter 1: Presentness Is Grace 36 PART II: ALLEGORIES OF KINESIS Chapter 2: Study for an End of the World 84 Chapter 3: Bridget Riley’s Eye/Body Problem 154 PART III: ENDLESS SIXTIES Chapter 4: Ultramoderne: Or, How George Kubler Stole the Time in Sixties Art 218 Chapter 5: Conclusion: The Bad Infinity/The Longue Durée 258 Notes Index 309 359 ACKNOWLEDGMENTS The wisdom and support of many individuals have been critical in the making of this book. Art and technology -History -20th century. Includes bibliographical references and index. Chronophobia : on time in the art of the 1960s / Pamela M. Library of Congress Cataloging-in-Publication Data Lee, Pamela M. Printed and bound in the United States of America. This book was set in Bitstream Charter with Kievit display by Graphic Composition, Inc. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. LEE The MIT Press Cambridge, Massachusetts London, England ©2004 Massachusetts Institute of Technology All rights reserved. LEE ON TIME IN THE ART OF THE 1960s PAMELA M. ON TIME IN THE ART OF THE 1960s PAMELA M.
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